Presonus Hardware iOS Compatibility
Audio-Technica AT2040 Hypercardioid Dynamic Podcast Microphone
Bencsik Associates proudly welcomes Audio-Technica to the portfolio of manufactures we represent! Starting today July, 1, 2021, we will represent Audio-Technica in Florida and Puerto Rico. Contact your local Rep. for more information.
Atlas Atmosphere 2.0
New PreSonus M7 Condenser mic
Finally available standalone due to popular demand, the PreSonus M7 is an ideal general-purpose microphone for musicians and content creators who want to save a buck without sacrificing audio quality, the M7 cardioid condenser microphone is well-suited to vocals, guitar, podcasts, live streams, and more. It sounds great recording very nearly anything, but places particular emphasis on a warm, round top end that compliments the human voice. And with a maximum 134dB of SPL handling, you can even use it on louder instruments like electric guitar cabinets or snare drums.
Rugged construction and top-quality performance specifications make the M7 cardioid condenser microphone an excellent addition for any home recording or streaming studio.
Presonus MicroStation BT
Eris E8 Sub’s Bestie
This compact desktop monitor controller lets you easily add Bluetooth connectivity and a subwoofer to your favorite pair of studio or media reference monitors; intuitive controls, headphone support, and a small footprint round out the affordable package.
Upgrade nearly any stereo listening setup to a 2.1 system with a subwoofer and Bluetooth connectivity; Balanced ¼” TRS inputs for connecting to professional audio interfaces plus stereo ⅛” Aux In for mobile devices; Small footprint doesn’t clutter your workspace; intuitive and simple controls; Sub Bypass lets you mute the subwoofer without crawling under your desk; Aux/Phones Out for quiet, late-night listening or mix sessions.
The Presonus Revelator USB-C Microphone
PreSonus is pleased to introduce 3 new products in 1 today. The Revelator is a 96 kHz / 24-bit Multi-pattern USB-C Microphone, with fully customizable channel strip presets using StudioLive Fat Channel’s EQ, Compressor, Gate, and Limiterplus Voice Effects and Reverb, and 6-in/6-out audio interface built into one unit. This class compliant mic allows for content creators of all types to harness the power of a great sounding USB-C mic, the DSP of a single StudioLive channel processor and the built in digital mixer interface built into Universal Control to store up to 16 presets in the software and 4 locally on the microphone. There’s no need to scour the internet trying to find a 3rd party open source app for loopback functions, mixing and streaming outputs. Say goodbye to using Sunflower and VB-CABLE with your fingers crossed. PreSonus has put it’s 10 plus years of audio driver savvy to take care of that for you. Whether you’re hosting a podcast where you need to interview someone in the same room, are a participant on a Zoom meeting and need high quality audio, are an inspiring singer songwriter or a Youtube star that needs to be able stream high quality pre-made content from your computer, while using the Revelator to add commentary, on the same stream, while it plays, The Revelator has you covered! Oh yea, it has a built in stand and will also attach to a standard mic stand.
PreSonus StudioLive Series III… now with Dante
PreSonus Electronics is proud to introduce the PX-1 and PM-2 Microphones….
PX-1 Large-Diaphragm Cardioid Condenser Microphone- Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true side-address, large-diaphragm condenser microphone, the PX-1 features a 25 mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.
PM-2 Matched Stereo Pair of Small-Diaphragm Cardioid Condenser Microphones- Ideal for stereo recordings of acoustic instruments, drum overheads, ensembles and more, the PreSonus PM-2 stereo microphone set provides the tools you need to create professional results. Each PreSonus PM-2 small-diaphragm cardioid condenser microphone is equipped with a ¾” gold-sputtered capsule housed in an ultra-light chassis, making it easier to perfectly position your microphones without fighting gravity. Sold as a sonically matched pair, the PM-2 comes equipped with a stereo bar for XY mic placement. PM-2 microphones can be used together or individually, making them an excellent addition for any home or professional recording environment.
The wait is over!
The Clearone BMA 360 is here.
The world’s most technologically advanced ceiling tile beamforming mic array, delivering unrivaled audio performance and deployment ease.
The patented BMA 360 is the world’s most technologically
advanced ceiling tile beamforming mic array, delivering unrivaled
audio performance and deployment ease.
The world’s first truly wideband, frequency invariant beamforming
mic array with uniform gain response across all frequency bands.
FiBeam™ technology gives users the ultimate in natural and full
fidelity audio across all beams and within a single beam.
Watchfire Demo Trucks Available
WATCHFIRE SIGNS COMPLETES LAS VEGAS FREMONT STREET EXPERIENCE RENOVATION
Fremont Street Experience attracts more than 23 million visitors annually and is adjacent to 10 casinos and more than 60 restaurants. An exciting reveal of the new canopy at full visual capability is planned for New Year’s Eve. Tickets will go on sale beginning November 27.
- CDL18s Subwoofer (Supports up to 2 CDL12Ps mounted atop)
- ULT18 Subwoofer (Supports 1 CDL12P atop)
- AIR18S Subwoofer (Support 1 CDL12P atop)
- CDL12 Tote Bag
- CDL12P Rigging System Components
The last of 59 truckloads of digital signage modules left the manufacturing facility at Watchfire Signs in Danville, Ill. recently, closing out the chapter on the renovation of the world’s largest single video screen, Fremont Street Experience in Las Vegas. Watchfire Signs, selected last year for the $30 million renovation, completed the project on budget and ahead of schedule for the grand reveal on New Year’s Eve.
Installation is complete on the digital canopy that covers Fremont Street Experience. It is 1,500 feet long and is suspended 90 feet above a pedestrian mall. The first update in 14 years, the new digital canopy is now seven times brighter and four times sharper than the original, making the light show on the canopy vivid even during daylight hours.
Watchfire designed an all-new product for the Fremont Street project that allowed the modules to be cut to fit the existing structure without impacting the information displayed. Perforations in each module also let daylight filter through and air circulate, critical for dispersing heat and illuminating the street below. High contrast materials and an innovative light trapping design combine to make it possible to run content on the canopy during the day – something that was impossible with the old design.
“We had to get very creative to develop a unique product that met all the distinctive needs for Fremont Street, including trimmable modules that fit the canopy’s shape and can handle the extreme desert conditions,” said Steve Harriott, president and CEO of Watchfire Signs. “Interest in this product has been very high and we’re looking forward to using it for other projects.”
The scale of the Fremont Street project was the largest in Watchfire’s history. It included manufacturing and shipping 130,000 sq. ft. of digital signage. The canopy was manufactured in more than 67,000 modules containing 49 million LEDs. A total of 1,054 subframes containing 64 modules each were installed in phases, allowing Fremont Street to remain open during the upgrade.
Since each subframe was manufactured to be installed at a specific spot on the canopy, Watchfire created a special crating and labeling system that arranged frames in a precise order within the shipping crates, making identification on the job site easy.
“The success of the Fremont Street project is proof of what Watchfire stands for. We are a team of innovators, combining new design with in-field excellence in service. This was an all-hands-on-deck project for Watchfire, and nearly every employee was involved in some way,” said Harriott. The Watchfire production facility added optional overtime shifts to accommodate production, enabling experienced Watchfire staff to build the project without the need to hire and train temporary workers. The entire project was completed without impacting the company’s existing sign industry customers.
Introducing the PreSonus PD-70 Broadcast Microphone…No Cloudlifter needed
Dynamic Vocal Microphone for Broadcast, Podcasting, and Live Streaming
- Dynamic broadcast microphone
- Cardioid polar pattern
- Great choice for recording vocals for podcasts, radio. and more
- Works with any audio interface with a microphone preamp
- End address
- Exceptional clarity throughout its frequency response range
- Rugged construction
- Top-quality performance specifications
- Integrated hard mount and windscreen
The new Presonus CDL-P…The cdl but lighter.
Hybrid Point Source/Line Array Constant Directivity Loudspeaker
The result of years of research and development, the PreSonus CDL12P powered loudspeaker combines the best attributes of point source and line array technology using a unique constant-directivity design that radiates a highly focused pattern with consistent SPL throughout the frequency-response range, both on- and off-axis. With the CDL12P, the eight 2-inch high-frequency drivers arc over a single 12-inch woofer, comparable to the coaxial driver configuration found on top studio monitors. The result is better sonic coherence across the entire venue. Regardless of how many CDL12Ps you stack, you’re working with a shared acoustic axis—and non-turbulent sound propagating throughout the room. The result is clear, articulate speech intelligibility and natural music reproduction. The CDL12P is portable and can be used on individually or in an arrayed pair on a tripod stand, atop an 18-inch PreSonus subwoofer, or in a flown installation of up to 6 CDL12Ps in a vertical array, making it a great choice for touring bands and mobile DJs, as well as for fixed installs in small and midsize venues.
- Continuous Directivity constant curve array with eight 2-inch cone drivers disperse sound an amazing 120 degrees horizontally
- 15˚ vertical directivity can be extended from 30˚ up to 90˚ with additional arrayable CDL12Ps
- 12-inch long-throw LF transducer with 2.5-inch voice coil
- Low crossover point minimizes comb filtering and enhances line array intelligibility
- 500 x 500 watts Class D power for high SPLs and lightning-fast transient response
- Locking AC Connector in and out
- Balanced XLR input and output
- Signal, -3 dB, Limiter Protection, and Clip monitoring
- Easy-to-use DSP Controls: Array Mode (1-6 boxes), 90 Hz High Pass Filter, Sub Mode (Off, CDL18s, ULT18, or AIR18s)
- 2-position pole mount for use with up to two CDL12P on a tripod or atop an 18-inch PreSonus subwoofer (Note: a CDL18s must be used for when two CDL12Ps are arrayed)
- Integrated flyware to create an array of up to six CDL12P’s
- Easy-to-handle, compact form factor and 63 lb. weight
Accessories and companion products:
PreSonus StudioLive Series III Ecosystem
PreSonus Eris Sub8
Compact Studio Subwoofer
The single best subwoofer you can get to put a little boom in your room, the Eris Sub8 is the first subwoofer to join the lauded and best-selling Eris studio monitor line. We called it Eris because it’s been designed from the ground up to be part of the family; it compliments the voicing and frequency response of the modern Eris classics.. The surprisingly loud 100-Watt Eris Sub8 drops down to a molar-rattling 30Hz, allowing you to both rock harder and produce better mixes, as you’ll be hearing an accurate representation of your work. Thanks to robust configuration and I/O, you’ll be able to tailor your Eris Sub8 configuration exactly to your mixing and listening needs. You can connect your existing monitors via ¼” TRS or RCA, set the input level to your liking, and even invert the polarity. Most importantly, you get a High Pass Filter and a Low Pass Crossover control that ensures your Sub8 starts working at the precise low-frequency point where your main monitors stop working. This makes sure you avoid the flubbery, smudged, low-end mess that one hears in redundant, duplicate, redundant bass reproduction that occurs without a crossover.
PreSonus AVB Ecosystem Overview https://www.youtube.com/watch?v=T6Q2hjw7gH0